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Adaptations and Storyworlds: Transmedia Storytelling - Einzelansicht

Grunddaten
Veranstaltungsart Seminar Langtext
Veranstaltungsnummer 094754 Kurztext
Semester SS 2016 SWS 2
Erwartete Teilnehmer/-innen Studienjahr
Max. Teilnehmer/-innen 25
Credits Belegung Belegpflicht
Hyperlink
Sprache englisch
Belegungsfrist
Einrichtungen :
Englisches Seminar
Fachbereich 09 Philologie
Termine Gruppe: [unbenannt] iCalendar Export für Outlook
  Tag Zeit Rhythmus Dauer Raum Raum-
plan
Lehrperson Status Bemerkung fällt aus am Max. Teilnehmer/-innen
Einzeltermine anzeigen
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Mo. 16:00 bis 18:00 woch Johannisstr. 12-20 - ES 3        
Gruppe [unbenannt]:
 


Zugeordnete Person
Zugeordnete Person Zuständigkeit
Espinoza Garrido, Felipe verantwort
Studiengänge
Abschluss - Studiengang Sem ECTS Bereich Teilgebiet
Bachelor HRSGe - Englisch (LH 049 11) -
Bachelor Grundschulen - Englisch (LG 049 11) -
Bachelor Berufskollegs - Englisch (LF 049 11) -
Zwei-Fach-Bachelor - Anglistik / Amerikanistik (L2 941 11) -
Prüfungen / Module
Prüfungsnummer Modul
13003 Literary and Cultural Studies Level I - Bachelor HRSGe Englisch Version 2011
13002 Literary and Cultural Studies Level I - Bachelor Grundschulen Englisch Version 2011
13004 Literary and Cultural Studies Level I - Bachelor Berufskollegs Englisch Version 2011
13004 Literary and Cultural Studies Level I - Zwei-Fach-Bachelor Anglistik/Amerikanistik Version 2011
Zuordnung zu Einrichtungen
Fachbereich 09 Philologie
Inhalt
Kommentar

As Henry Jenkins observed in his 2006 book Convergence Culture, popular fiction is increasingly not just narrated through one medium such as a single film or novel, but through a variety of different media that all contribute to one shared fictional universe, a storyworld. In franchises such as The Matrix, Star Wars, and recently Marvel's Avengers universe, storylines are dispersed across novels, films, TV- and web series, comic books, videogames, websites and wikis. Thus transmedia storytelling poses the question "[w]hat can medium y do in terms of storyworld creation (or representation) that medium x cannot?" (Marie Laure Ryan and Jan-Noël Thon). Drawing on adaptation theory this class will include examples from popular culture and literary classics in order to understand different media-specific narrative techniques.

The first part will focus on various adaptations of Jane Austen's Pride and Prejudice, among them several TV- and cinema versions, Seth Grahame Smith's novel Pride and Prejudice and Zombies, and the web series The Lizzy Bennett Diaries. (Selected chapters/clips will be made available at the end of the registration period.)

The main part of the seminar will be dedicated to the literary analysis of the Wachowskys' Matrix-Trilogy and its adjacent media installments (mainly animated short films and video games), the Marvel Avengers and the Star Wars storyworlds, but also the recent expansions of TV-series into different entertainment media, as seen in AMC's The Walking Dead and HBO's Game of Thrones.

Literatur

At the beginning of the semester students are expected to

-          have read and watched all secondary texts, excerpts, and clips made available on Pride and Prejudice and its adaptations

-          be familiar with the three Matrix films, preferably also the Enter the Matrix video game and the various online short films of the franchise

-          have watched at least three films set in the Marvel Avengers universe


Strukturbaum
Keine Einordnung ins Vorlesungsverzeichnis vorhanden. Veranstaltung ist aus dem Semester SS 2016 , Aktuelles Semester: WiSe 2022/23